![]() What’s a girl to do!? And where’s the line between reality and made-up fantasy? Alma then becomes a horny outcast, spending her days flicking one out to romantic fantasies in her head, while wishing she could dip from her stupidly small town. Especially since this revelation comes right after the popular Artur (Matias Myren) rubbed his naked boner on her thigh outside a party (to her delight) but then denied it in front of the entire school (to her dismay). She eventually racks up the phone bill so high, once discovered, she’s forced by her mom to get a job to pay it off.Īlma is humiliated, clearly. But in Norwegian comedy Turn Me On, Dammit, 15-almost-16-year-old Alma (Helene Bergsholm) has a penchant for masturbating to the wild, steamy stories of a phone sex line operator named Stig. I’d watch and masturbate to five-minute porn clips and GIFs on Tumblr-R.I.P. I remember when I was a horny 15-year-old. Notably, the film also stars Australian supermodel Gemma Ward. That concern aside, the film swept the 2008 AACTA Awards (Australia's Oscars), winning Best Film, Direction, Original Screenplay, Editing, Supporting Actor (Wakefield), and Supporting Actress (Collette). Having a similar childhood as Down-both of my younger siblings are on the autism spectrum-I was interested in Black Balloon, although I always wince when neurotypical actors play autistic characters. She grew up with two siblings on the autism spectrum, and Charlie is based off Down's youngest brother. Maggie's husband is usually at work, and her other son, 15-year-old Thomas (Rhys Wakefield), is becoming more and more embarrassed by his brother.ĭown's script is inspired by her own childhood. ![]() Maggie (Toni Collette) is trying her hardest to chill out, as she's very pregnant and her doctor has ordered her to relax, but Charlie makes that difficult-his unpredictable tantrums send him running off into the neighborhood, breaking into houses, and pissing in other people's toilets. In Australian director Elissa Down's first feature-length film, the Mollison family is attempting to make things work for their son Charlie (Luke Ford), a boy with severe autism who communicates exclusively through sign language. I'm working my way through every movie that casts Toni Collette as a stressed-out mom, which brings us to The Black Balloon. In order to survive and stop the takeover, Juan has to game everyone to get home to his pregnant wife Elena (Marta Etura).Īnother movie where Toni Collette plays a mother to chaos. He’s taken to head honcho, Malamadre (my beloved Tosar), a violent criminal who will control the prison until his demands are met. When he wakes up, the penitentiary has been hijacked and Juan’s mistaken by the prisoners for a prisoner. While being shown around by his colleagues, he gets injured just before a prison riot breaks out and, in the confusion, the other guards leave him in an empty cell in the heart of it all. The drama follows Juan (Alberto Ammann), a prison guard, on literally the worst first day ever. Also, he knew of my love for actor Luis Tosar and his thick brows. He liked movies and recommended Cell 211 to help my Spanish. Fran looked like an Iberian Paul McCartney. ![]() Throughout her career, Marca has starred in films by renowned directors, such as Alberto Rodríguez in ‘El hombre de las mil caras’ or Fernando González Molina in the Baztán Trilogy: El guardián Invisible, Legado en los Huesos and Ofrenda a la Tormenta.I lived in Spain for two years and every Monday evening I’d meet up with my friend Fran over beers for an hour of language exchange-the first half in Spanish, the second in English. ![]() She recently shot ‘El color del cielo’, co-production with Switzerland, directed by Joan-Marc Zapata. In 2006 she was nominated for a Goya for Best Leading Actress for AzulOscuroCasiNegro, directed by Daniel Sánchez Arévalo and in 2010 she won the ‘estuatuilla’ in the category of Best Supporting Actress for ‘Celda 211’, by Daniel Monzón. In 2001, shortly after finishing acting school, she worked hand in hand with Joaquín Oristrell in the film ‘Sin Vergüenza’ which was followed by others such as ‘La vida de nadie’ which earned her the Goya nomination for Best New Actress- by Eduard Cortés or ‘Para que no me olvides’- for which she was nominated for an Academy Award in the Best Supporting Actress category -, directed by Patricia Ferreira. On the other hand, Marta is bilingual in French. Adding to this contemporary dance classes, taught by Pedro Berdäyes, Mónica Runde, Chevi Muraday, Cesc Gelabert and Francesc Bravo. Marta Etura has trained at the Cristina Rota School.
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